|Unfinished and Untitled|
I decide to do a monoprint, starting with black india ink, new drawing sticks I found at Omer Deserres (they're from china - make really nice, intensely black marks when first dipped in water), my trusty Woody, graphite (water-soluble), water, splash around with a lovely cat's tongue brush, throw in some powdered yellow ochre pigment (also a bit of ultramarine in the lower left but it quickly dissipates). This is all put on a taped-down white garbage bag. Everything is beading up - I'm brushing with one hand, paper at the ready in the other hand - flip the paper over and pull the print. I quickly pull the ghost on a sheet of Stonehenge 90 pound. I'll save the ghost for another time.
I'm into a blue phase and working with a lot of chaos, so minimizing my colour palette seems a very wise choice (yeah, I know, I'm lazy) Now it's the fun stuff, mark-making, stamping, drawing, more collage, letting my right brain have free rein in deciding what to keep, what to veil, what to obliterate. Dance with my brush a bit (we needed to get reacquainted). There are a lot of things in here that are becoming precious but I decide I don't have to prove anything by destroying them, so I leave them for now. I can always alter/remove them later if I feel the need to. The powder ocher has left some wonderfully textured areas. They'll be a nice reward to the viewer who moves in for a closer look.
Creating focal areas with nice golden shapes and more agitated line-work, brightening, calming the chaos in inappropriate areas, the number "5" became really important and I like it there. Hmmmm, need to live with it for a while and see what else it needs. I'm feeling the whiter area bottom centre may be a bit distracting, but I really like it (lots of the original monoprinted ink wash still shows there). Maybe I'll move some more light over to the left a bit - hmmmm.